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Editorial policy
What we publish, what we avoid and how we source facts.
Facts first
Musical history is well documented, but it is also full of myths that travel faster than the evidence. We prefer the cautious statement: if a story about a composer is disputed, we either leave it out or present it as a tradition rather than a fact.
What we do not publish
- Invented dates, catalogue numbers or durations.
- Rankings of recordings or performers presented as objective.
- Links to external shops, streaming services or third-party sites.
- Quizzes whose answers cannot be justified from the article that precedes them.
Corrections
If something on the site is wrong, we want to know. Corrections are made at the level of the article and the wording is changed rather than quietly patched, so that the page stays honest about what it claims.
Plain language
We use the standard vocabulary of music, but we define it the first time it appears. A reader should never have to look up a term in order to finish a paragraph.
How to use this portal. Pick a composer or a single work, listen once without reading, then come back to the guide and listen again. Music rewards the second hearing far more than the first, and the vocabulary you pick up here is meant to make that second hearing sharper.