This music is composed by Nino Rota
Relative level of fame is: 72339
The Godfather is a 1972 American crime film directed by Francis Ford Coppola who co-wrote the screenplay with Mario Puzo, based on Puzo’s best-selling 1969 novel of the same name.
It is the first installment in The Godfather trilogy. The film features an ensemble cast including Marlon Brando, Al Pacino, James Caan, Richard Castellano, Robert Duvall, Sterling Hayden, John Marley, Richard Conte, and Diane Keaton. The story, spanning from 1945 to 1955, chronicles the Corleone family under patriarch Vito Corleone (Brando), focusing on the transformation of one of his sons, Michael Corleone (Pacino), from reluctant family outsider to ruthless mafia boss.
Coppola hired Italian composer Nino Rota to create the underscore for the film, including the main theme, "Speak Softly, Love". For the score, Rota was to relate to the situations and characters in the film. Rota synthesized new music for the film and took some parts from his Fortunella score, in order to create an Italian feel and evoke the tragedy within the film. Paramount executive Evans found the score to be too "highbrow" and did not want to use it; however, it was used after Coppola managed to get Evans to agree. Coppola believed that Rota’s musical piece gave the film even more of an Italian feel. Coppola’s father, Carmine, created some additional music for the film, particularly the music played by the band during the opening wedding scene.
Incidental music includes, C’è la luna mezzo mare and Cherubino’s aria, Non so più cosa son from Le Nozze di Figaro. There was a soundtrack released for the film in 1972 in vinyl form by Paramount Records, on CD in 1991 by Geffen Records, and digitally by Geffen on August 18, 2005. The album contains over 31 minutes of music coming from the film, with most being composed by Rota, along with a song from Coppola and one by Johnny Farrow and Marty Symes. AllMusic gave the album five out of five stars, with editor Zach Curd saying it is a "dark, looming, and elegant soundtrack." An editor for Filmtracks believed that Rota was successful in relating the music to the film’s core aspects.